On the Road
The Original ScrollBook - 2007
Though Jack Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West Twentieth Street in Manhattan, that he wrote the first full draft that was satisfactory to him. Typed out as one long, single-spaced paragraph on eight long sheets of tracing paper that he later taped together to form a 120 foot scroll, this document is among the most significant, celebrated, and provocative artifacts in contemporary American literary history. It represents the first full expression of Kerouac's revolutionary aesthetic, the identifiable point at which his thematic vision and narrative voice came together in a sustained burst of creative energy. It was also part of a wider vital experimentation in the American literary, musical, and visual arts in the post-World War II period.
It was not until more than six years later, and several new drafts, that Viking published, in 1957, the novel known to us today. On the occasion of the fiftieth anniversary of On the Road , Viking will publish the 1951 scroll in a standard book format. The differences between the two versions are principally ones of significant detail and altered emphasis. The scroll is slightly longer and has a heightened linguistic virtuosity and a more sexually frenetic tone. It also uses the real names of Kerouac's friends instead of the fictional names he later invented for them. The transcription of the scroll was done by Howard Cunnell who, along with Joshua Kupetz, George Mouratidis, and Penny Vlagopoulos, provides a critical introduction that explains the fascinating compositional and publication history of On the Road and anchors the text in its historical, political, and social context.
From Library Staff
Kerouac’s classic work. For me all his novels are excellent; it’s hard to pick one. I love Kerouac’s prose style. "On the Road" is one of the most influential for so many, including me.
From the critics
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A decent but not outstanding adaptation of Kerouac's novel. This one always seemed too hard to film, and indeed, the end result isn't the best result, but seeing the characters come off the pages and alive is enjoyable and Viggo Mortensen as William S. Burroughs is a scene stealer.
Kerouac wrote most of his famous book on a scroll through his typewriter so he would keep a continuous train of thought. The resulting manuscript is now available here (though, not in scroll form!) to be read as Kerouac originally wrote it, with the names of his fellow "Beat" friends and authors named. It's an exhaustive read but worth it for the fans.
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“The only people for me are the mad ones, the ones mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing but burn, burn, burn like fabulous roman candles exploding like spiders across the stars…”
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